Albums released on 6 March
2006 · 21 YEARS
On An Island
David Gilmour
David Gilmour steps away from large-scale rock on this 2006 release. It is a meditative, guitar-focused record crafted with an organic sensibility.
2020 · 7 YEARS
Superstar
Caroline Rose
Caroline Rose delivers a high-energy collection of synth-pop on this 2020 release. It uses satire to examine the nature of celebrity with a polished, neon aesthetic.
1973 · 54 YEARS
Closing Time
Tom Waits
Tom Waits makes his debut with this 1973 record, offering a collection of weary songs recorded in Los Angeles. It captures the lonely atmosphere of early morning hours.
2024 · 3 YEARS
Invincible Shield
Judas Priest
Judas Priest returns in 2024 to show that their classic heavy metal sound remains intact. The band delivers high-octane riffs and soaring vocals with a modern production edge.
2026 · 1 YEARS
Kiss All The Time. Disco, Occasionally.
Harry Styles
Harry Styles explores the intersection of disco and introspection on this 2026 record. It tracks a movement from club-ready energy to moments of private reflection.
1990 · 37 YEARS
The House Of Love
The House Of Love
The House Of Love released this self-titled project in 1990, capturing a bridge between mid-eighties jangle and later experimental rock. It is defined by swirling guitar layers.
1995 · 32 YEARS
Medusa
Annie Lennox
Annie Lennox interprets classic tracks on this 1995 release, utilizing a synth-pop approach. It is a sophisticated record that relies on a refined electronic style.
2007 · 20 YEARS
The Weirdness
The Stooges
The Stooges reunited for this 2007 release, delivering a raw collection of garage rock. Steve Albini produced the sessions, capturing a volatile, live-in-the-studio energy.
1989 · 38 YEARS
Fruit At The Bottom
Wendy & Lisa
Wendy & Lisa released this record in 1989, marking a transition toward their own creative path. It blends pop, soul, and experimental rock with a bohemian feel.
1995 · 32 YEARS
Digital Ist Besser
Tocotronic
Tocotronic debuted in 1995 with this messy, literate collection of songs. It captures the early Hamburg indie scene through feedback and self-aware wit.
2009 · 18 YEARS
It's Blitz!
Yeah Yeah Yeahs
The Yeah Yeah Yeahs shifted from garage-punk to electronic rhythms on this 2009 release. It proves the band could craft pop hooks while maintaining their intensity.
1989 · 38 YEARS
Queen Elvis
Robyn Hitchcock & The Egyptians
Robyn Hitchcock & The Egyptians blend psychedelic arrangements with whimsical storytelling on this 1989 record. It is an eccentric work that improves with repeated listens.
2020 · 7 YEARS
Eternal Atake
Lil Uzi Vert
Lil Uzi Vert utilizes spacey melodies and trap production on this 2020 project. It functions as a digital playground driven by rapid-fire vocal delivery.
2012 · 15 YEARS
Love At The Bottom Of The Sea
The Magnetic Fields
Stephin Merritt uses lo-fi synthesizers and sharp wit to explore modern romance on this 2012 record. It acts like a broadcast from a heartbroken robot.
2001 · 26 YEARS
Scorpion
Eve
Eve released this 2001 record, balancing aggressive street anthems with radio-friendly hooks. It is a standout moment from the Ruff Ryders era.
1989 · 38 YEARS
Chick Corea Akoustic Band
Chick Corea Akoustic Band
Chick Corea, John Patitucci, and Dave Weckl return to the piano trio format on this 1989 release. It highlights acoustic interplay during a digital era.
2016 · 11 YEARS
The Hilvarenbeek Recordings
Biosphere
Biosphere weaves environmental sounds into an ambient work on this 2016 record. It blurs the boundary between music and an audio diary of a Dutch village.
1978 · 49 YEARS
A Biography
John Cougar Mellencamp
John Cougar Mellencamp released this transitional record in 1978, showing a songwriter finding his footing. It sits between glam experiments and later Americana.
2007 · 20 YEARS
Here Come The Waterworks
Big Business
Big Business found their cinematic identity on this 2007 release, marking the first collaboration between Jared Warren and Coady Willis. It generates an overwhelming wall of noise.
2007 · 20 YEARS
The Search
Son Volt
Jay Farrar blends alt-country roots with biting social commentary on this 2007 record. It feels like a restless travelogue moving from acoustic quiet to distorted rock.