Albums released on 28 December
1970 · 56 YEARS
Coal Miner’s Daughter
Loretta Lynn
Loretta Lynn explores rural hardship through her signature brand of storytelling. Released in 1970, this record remains a core example of traditional country arrangements.
2004 · 22 YEARS
Get Lifted
John Legend
John Legend debuted in 2004 with a mix of neo soul and R&B. The project relies on piano arrangements and vocal performances to build a polished style.
1977 · 49 YEARS
Suicide
Suicide
Suicide launched their career in 1977 with a self-titled debut defined by tension. The record uses primitive electronics to create a claustrophobic vision of New York City.
1999 · 27 YEARS
Vol. 3... Life And Times Of S. Carter
Jay-Z
Jay-Z shifted his sound in 1999 with this record, favoring high-budget production. It captures a transition from underground roots toward the commercial style that defined his later career.
1980 · 46 YEARS
Ming
David Murray Octet
The David Murray Octet released this jazz record in 1980. It functions as a bold experiment that merges big band traditions with avant-garde approaches.
1985 · 41 YEARS
Children
David Murray
David Murray leads a quartet in this 1985 release, moving between soulful melodies and intense saxophone work. It highlights the rhythm section's role in supporting his expressive tone.
1982 · 44 YEARS
Duke Jupiter 1
Duke Jupiter
Duke Jupiter brought their live energy to this 1982 record. It acts as a bridge between blue-collar heartland rock and the emerging pop sounds of the early eighties.
1987 · 39 YEARS
Educes Me
Wim Mertens
Wim Mertens explores European minimalism in this 1987 release. The record relies on piano patterns and quiet vocals to create a sense of tension.
1979 · 47 YEARS
Peace And Blessings
Kalaparusha Maurice McIntyre Quartet
Saxophonist Kalaparusha Maurice McIntyre balances intricate free-jazz improvisation with soulful melody on this 1979 quartet session. It is a grounded, clear-eyed example of the Chicago AACM influence.
1978 · 48 YEARS
The Legend Of Ai Glatson
Leroy Jenkins
Leroy Jenkins focuses on violin-led jazz in this 1978 outing. It provides a unique look at the post-bop movement through structured improvisation.
1983 · 43 YEARS
Four Compositions (Quartet) 1983
Anthony Braxton
Anthony Braxton treats the quartet format as a fluid, modular system in this 1983 release. The musicians engage in a complex, real-time rhythmic conversation.
1983 · 43 YEARS
Colours
Sam Rivers Winds Of Manhattan
Sam Rivers directs a wind ensemble in this 1983 release. It acts as a study in texture and color, capturing the intuition of a group working as one.
1984 · 42 YEARS
And The Sound And Space Ensembles
Roscoe Mitchell
Roscoe Mitchell explores two distinct ensembles in this 1984 record. He maintains a human, improvisational core while pushing the limits of jazz composition.
1980 · 46 YEARS
Flat-Out Jump Suite
Julius Hemphill Quartet
Julius Hemphill structures this 1980 jazz suite with discipline and freedom. It prioritizes the group dynamic over individual solos.
1999 · 27 YEARS
The McClurkin Project
The McClurkin Project
The McClurkin Project debuted in 1999, blending gospel roots with modern arrangements. It features a range of intimate ballads and high-energy anthems.
2007 · 19 YEARS
Suckerbox
Suckerbox
Suckerbox released their debut in 2007, channeling suburban frustration through loud guitars. It represents the height of pop punk melodic hooks and production.
2006 · 20 YEARS
معلومات أكيدة
لطيفة
لطيفة released this record in 2006, blending Arabic melodies with electronic production. It highlights the versatility of her vocal range through global pop sounds.
2009 · 17 YEARS
Materiał Producencki
Quiz
Quiz released this twenty-track project in 2009. It acts as a sprawling hip-hop diary that combines reflective storytelling with crisp, modern beats.
2010 · 16 YEARS
The Grime And The Glow
Chelsea Wolfe
Chelsea Wolfe debuted in 2010 with a lo-fi, intimate record. It mixes acoustic arrangements with industrial distortion to create a dark, goth-folk sound.
2018 · 8 YEARS
Loncati Pagar Berduri
AK//47
AK//47 delivers a blistering, high-speed protest against the status quo on this 2018 record. It is a raw, uncompromising grindcore debut that captures the aggression of the Indonesian underground.