Albums released on 22 July
1977 · 50 YEARS
My Aim Is True
Elvis Costello
Elvis Costello arrived in 1977 with a sharp debut that balanced jagged new wave energy with classic power pop. Produced by Nick Lowe, the record captures a nervous intensity.
2022 · 5 YEARS
Emotional Creature
Beach Bunny
Beach Bunny balances indie rock vulnerability with bright pop melodies. The 2022 release explores the complexities of personal growth and relationships.
1982 · 45 YEARS
All This Love
DeBarge
DeBarge shifted their Motown sound toward warm, intimate soul on this 1982 release. The record relies on lush arrangements and family harmonies.
1968 · 59 YEARS
Miles In The Sky
Miles Davis
Miles Davis moved toward electric instrumentation and rock rhythms with this 1968 experiment. It represents a pivotal shift from acoustic jazz into groove-heavy fusion.
2016 · 11 YEARS
Red Earth & Pouring Rain
Bear's Den
Bear's Den moved toward a dark, cinematic sound on their 2016 record. Inspired by night drives in the American West, the work centers on synthesizers and electric textures.
1997 · 30 YEARS
No Way Out
Puff Daddy & The Family
Puff Daddy & The Family transformed hip-hop production in 1997 with grand, sample-heavy arrangements. The record established a new scale for the genre's mainstream presentation.
2009 · 18 YEARS
Hannah Montana 3
Hannah Montana
Hannah Montana 3 captures a specific 2009 transition between television and music stardom. The record blends synth-pop with gritty pop-punk and country influences.
2022 · 5 YEARS
Entering Heaven Alive
Jack White
Jack White moves toward acoustic textures and intimate sincerity on this 2022 release. The record trades stadium energy for piano and folk-leaning storytelling.
1966 · 61 YEARS
Blues Breakers
John Mayall
Blues Breakers serves as a foundation for the 1966 British blues explosion. The record captures a club band channeling Chicago legends into an electrified format.
1982 · 45 YEARS
Too-Rye-Ay
Kevin Rowland
Kevin Rowland embraced a chaotic, celebratory Celtic soul on this 1982 album. It marks a shift from punk intensity toward fiddles, banjos, and brass arrangements.
2014 · 13 YEARS
Pe'ahi
The Raveonettes
The Raveonettes balance aggressive noise and dark, melodic surf rock on this 2014 release. It captures a stormy tension through distortion and pop hooks.
1977 · 50 YEARS
Leif Garrett
Leif Garrett
Leif Garrett debuts with a 1977 collection of teen pop. The record blends catchy melodies and rock arrangements in a vocal-forward style.
2022 · 5 YEARS
The Last Goodbye
Odesza
Odesza weaves vintage vocal samples into a modern electronic framework on this 2022 record. The project bridges the gap between past memories and cinematic live energy.
2003 · 24 YEARS
The Artist In The Ambulance
Thrice
Thrice moved from underground aggression to melodic post-hardcore on their 2003 major label debut. Intense, lyrical themes explore the fragility of human life.
1991 · 36 YEARS
Frequencies
LFO
Frequencies launched Warp Records in 1991 as a foundational bleep techno release. It proved that minimalist electronics could carry a massive, physical presence.
1996 · 31 YEARS
もののけ姫 イメージアルバム
Joe Hisaishi
Joe Hisaishi explores the emotional landscape of nature and conflict in this 1996 orchestral work. The collection served as a conceptual precursor to a major film score.
1997 · 30 YEARS
Sound Machine Groove
R.L. Burnside
R.L. Burnside delivers raw, hypnotic hill country blues on this 1997 release. The recordings capture the legend's signature trance-like style.
2022 · 5 YEARS
Bob Marley & The Chineke! Orchestra
Bob Marley
Reggae anthems receive a sweeping orchestral transformation on this 2022 release. The project bridges Jamaican roots music with contemporary classical performance.
2008 · 19 YEARS
Donkey
CSS
CSS leans into a sharp, aggressive electro-punk sound on their 2008 record. The album captures the chaotic, neon-soaked aesthetic of the indie-sleaze era.
1970 · 57 YEARS
Don't Crush That Dwarf, Hand Me The Pliers
The Firesign Theatre
The Firesign Theatre challenged comedy records in 1970 through surrealist storytelling and multi-layered editing. They created a dense, satirical world of radio parodies.