
6 September 1992 · 35 YEARS
Blind
The Sundays
Harriet Wheeler’s singing floats over David Gavurin’s intricate playing, creating a sound that is both fragile and resilient. The songs capture the ache of early adulthood with remarkable clarity.
Avoiding the grit of grunge, the record prioritizes lush, melodic sophistication. It stands as a polished example of indie music, created by a band that valued emotional resonance over the trends of the era.