Last Of The Ghetto Astronauts

Initial takes of these songs relied on limited funds, preserving a starving urgency prior to the group gaining widespread popularity in Canada. The work provides a clear perspective on the shift from basement beginnings toward organized alternative rock structures.

Jagged guitars and mocking, clever verses characterize the mid-nineties aesthetic of the project. The recording quality remains coarse and untreated, placing the group firmly within the common rotation of campus radio formats during that period.