
31 May 2005 · 22 YEARS
A River Ain't Too Much To Love
Smog
The production is unvarnished and intimate, placing the focus entirely on the delivery of the lyrics. It reflects a shift toward a simpler style within the Drag City aesthetic.
Warmth and humor emerge from the sparse arrangements. By removing dense instrumentation, the artist allows the conversational tone of the songs to become the primary feature.