Nearly God

Tricky opened his studio to varied artists such as Björk, Neneh Cherry, and Terry Hall for this recording. The project pushes Bristol trip-hop into abstract areas, resulting in a dark and nocturnal mood that defines the mid-nineties electronic era.

The production is characterized by a skeletal and claustrophobic approach. By utilizing sparse beats and haunting samples, the record creates a fever dream atmosphere where the lines between different genres of experimental music cease to exist.