Saint Julian

Produced by Warne Livesey, the album carries a glossy and expansive sound while maintaining the lyrical strangeness Cope is known for. The sessions were famously held in a house filled with antique cars.

This release represents his most accessible work to date. It captures a specific pivot point where his post-punk origins met a new, leather-clad psychedelic persona, resulting in a project that feels both strange and commercially viable.