That's What Friends Are For

With this 1978 collection, Johnny Mathis adapts his vocal style to the late-seventies transition toward disco. He interprets compositions by artists such as Stevie Wonder and Billy Joel, showing comfort with both groove-heavy arrangements and ballads. The result captures a specific late-night radio feeling.

These tracks favor lush, orchestral support that aligns with the era's focus on the dance floor. The production maintains a smooth sheen while highlighting the pulse of the late 1970s. By blending traditional soul elements with disco influences, the artist demonstrates his range and ability to navigate changing musical trends during this period.