Les Chants Magnétiques

Released in 1981, this work functions as a study in synthesizer capability. By treating the instrument as a primary voice, the project moves away from traditional composition. Minimalist techniques ensure that every layer of the audio remains distinct and clear.

The resulting tracks feel both mechanical and human. Each pattern contributes to an experience centered on the possibilities of electronic hardware. It serves as a study for anyone interested in early experimentation with synthesis and the specific demands of technical production.