
20 November 1981 · 45 YEARS
Come Morning
Grover Washington, Jr.
Proving that instrumental pieces carry as much weight as vocal ballads, the artist provides a masterclass in mood. The title track remains a standout example of the relaxing side of jazz-fusion.
Coming during a high point for the genre, the collection relies on multi-layered arrangements that feel grounded yet vast. This work highlights a moment where pop, soul, and jazz merged to create a clean, professional aesthetic that defines the decade's studio craft.