Let's Get Killed

Street conversations and ambient noise collected in New York City weave through these tracks, forming a gritty, cinematic collage. The record functions less like a standard studio project and more like a nocturnal journey through a bustling urban landscape.

Big beat rhythms and soul samples define the production, reflecting the height of late nineties electronica and trip-hop. The music captures a neon-soaked tension, highlighting the era's fascination with blending dance beats and film noir textures.