
22 February 2011 · 16 YEARS
New History Warfare Vol. 2: Judges
Colin Stetson
Every noise heard here originated from a single person playing live. The process avoids studio tricks to present a mechanical wall of sound that resembles a heavy industrial engine.
The work pushes avant-garde boundaries through physical intensity. It serves as a study in modern composition, highlighting the raw capacity of the instrument when handled by a master musician.